software

MacStories -> The Practicality of Art in Software

This blog post from Federico Viticci over at MacStories is worth a read.

This part jumped out at me:

In bringing this back to software, it’s evident that – again, historically – Apple doesn’t believe in art as a veneer to make something “look good”. Art – whereby “art” we refer to the human care behind the design of software – is intrinsically tied to the technology that powers the computer. It’s the intersection of technology and liberal arts: skew toward one side more than the other, and you risk of losing the balance many of us like about Apple. Art in Apple’s software isn’t some secret ingredient that can just be added at the end of the process, like a spice: great design _is_ the process itself. Case in point: the Dynamic Island.

Federico argues that the iPad is not striking a balance between beautiful and useful. I agree with this point. After trying to use it like an equal counterpart to macOS in 2016-2019, I have been back to the Mac (so to speak) ever since.

The iPad makes a great digital piece of paper. And I think I am leveraging its strengths best when I use it exactly like that.

David MacDonald unboxes the Odla music notation controller

David MacDonald reviews the Odla music notation controller at Scoring Notes.

Odla, an input device that “touches” the music | Scoring Notes:

Despite all the developments users have seen in music notation software and related technologies, the ways we actually get notes into the software hasn’t changed much in the last couple decades. Odla, an Italian music technology startup, is changing that with their new hardware controller for MuseScore and Dorico.

While other input devices rely on an instrument-style controller like a MIDI keyboard or “music alphabet” shortcuts on a computer keyboard, Odla directly models the five-line staff itself. The bright red staff-line buttons make Odla look pretty cool, and the connection between input and notation was obvious and intuitive from the moment the device hit my desk. As Odla’s tagline goes, it is “music you can touch”.

This device seems really interesting, and I like the idea of having MIDI input devices that embrace the visual nuances of staff notation.

David has an immeasurable amount of experience with notation software and gets straight to the point while testing this thing out. Check out the Odla here.

What's on my desk?

This post now features a complimentary podcast episode. Listen and subscribe!

Earlier this year, I wrote a guest post for the Club MacStories newsletter showing off all the technology on my desk. With permission from the editors, I am cross-posting that below.

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This desk is in my home music studio in Maryland. I run a private percussion teaching studio out of this space and produce my blog/podcast Music Ed Tech Talk.

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My 14" MacBook Pro is the core of my computing life. It goes with me everywhere, from this desk to my day job as a middle school band director. I teach out of four different classrooms. USB-C hubs at all of my desks allow me to have distinctive hardware setups specific to each room while maintaining continuity through the consistency of my macOS settings and apps.

My secondary monitor is an LG Ultra Wide. I don't love it. I originally got it as a cheap way to interact with my Mac mini (dominantly used to serve up Plex content and run a Homebridge server.) I have phased out the Mac mini and hope to one day replace this monitor with something nicer now that it is used with the MacBook.

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When my school district moved to virtual learning last year, I wanted to upgrade my webcam. The Logitech C920 was one of the most popular options I was coming across, and it hasn't let me down yet. I have a snake arm from Amazon (link) that allows me to easily adjust the angle of the camera and the ring light behind it. The arm can bend the camera down to face the surface of my desk and show what my hands are doing during virtual classes, presentations, and live streams.

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These M-Audio BX5a monitors were on sale ten years ago, presumably because red is a less popular color than black. I actually kind of like having an accent color. They sound balanced enough to reference the diverse musical projects I edit. They produce enough output for my students to jam along to recordings on drum set.

Because the studio monitors are my primary sound output, the HomePod mini is used mainly for controlling Siri. I often ask it to turn on the baseboard heaters (with the Mysa HomeKit thermostat), the lights, and a red light outside the door to let my family know if I'm recording.

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The Focusrite Scarlet 6i6 is my current audio interface. It has just enough ins and outs to plug my MIDI and audio input devices into my computer while outputting sound to the studio monitors. I don't currently do any fancy recording down here beyond my podcast and student audition tapes (which only require stereo recording).

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The AKG P420 is my favorite mic for generalized recording in its price range. It's a resonant and balanced condenser microphone. I honestly think it compares to some microphones up to double the price. I use it primarily for virtual class, presentations, podcasting, and in a pair to record student audition tapes in stereo.

My Audio Technica headphones are pretty old and junky (I couldn't even find a link to this model online), but their long life speaks to the quality of AT's gear. I sometimes plug my AirPods Max into the Scarlet if I am already wearing them.

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My Lamy Safari Fountain Pen and Rhodia notebook are my entry point into the world of better-than-average writing tools, and I am open to learning more!

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I love the feel and simplicity of Apple's Magic Keyboard, Trackpad, and Mouse. It took some time to learn to use the trackpad on the left. Still, it gives me a powerful workflow where I can quickly make refined edits in audio software by zooming in and out of the project with my left hand while precisely manipulating content with the mouse.

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I love my 12.9" iPad Pro! Sometimes I use it as a laptop at home and work. In my studio, I usually rip off the tablet and read full-sized sheet music on it using the forScore app. I also depend on the Tonal Energy Tuner, which is the most powerful app of its kind on the App Store and does not currently have a Mac version.

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My Ableton Push 2 works primarily as a control surface for Ableton Live. It is a new addition, and I am overwhelmed by its potential. Ableton Live is a very advanced application, and the Push allows you to control almost all of its features with tactile, performable knobs and buttons. It makes the software feel like an instrument. You can use it to record note input, manage the tempo, trigger loops, edit samples, and more!

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I play with music production for fun, but I also use the Push as a supercharged metronome when teaching private students. It allows me to get my eyes off the computer screen and focus more on the teaching because all the buttons can manipulate the app even when it isn't in the foreground.

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I use a Stream Deck for all the same reasons MacStories readers might find it useful- live streaming, Shortcuts, and other automation. I also use it to navigate the deep menus and feature sets of Dorico, a music notation application.

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Notation Central has pre-built Stream Deck profiles for major music notation apps available on their website (link).

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The MicroKorg is a fun little synth that can be highly programmed to produce absolutely otherworldly audio. I also use it for MIDI note entry in digital audio workstations and music notation apps.

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My electronic reference piano is a Korg Concert C-150, which I also use for MIDI note input. It's an electric upright piano from the 80s with the legs chopped off. A high school was going to throw it away in the early 2000s before I asked if I could have it instead. I like it because it has a flat surface for putting stuff on (like other keyboards).

On top of the Korg is a Roland Octopad SPD-30. This is a great electronic drum sampler. It has an excellent library of its sounds and can trigger note input in music software using my most comfortable input method (drum sticks).

Next to the Octopad is my Yamaha Harmony Director. It's a keyboard that plays sustained tuning drones and can easily switch between different tuning systems. The drones can be played through speakers, or in my case, be used to create play-along practice material for students (link).

Apple TV. I wish I could say I use this for something other than playing Sonic the Hedgehog while my kid naps.

Instruments! The desk is a fun command station, but it's really only the hub of my digital productivity and creativity. The real bread and butter of my professional life are the instruments I play and teach. Depicted here are my vibraphone, marimba, timpani, drum sets, snare drum, wind instruments, and other fun!

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Blink Session Music: Because Virtual Music Lessons are More Than a Video Chat (Sponsor)

Your virtual music lessons are more than a video chat. You interact over sheet music, tabs, audio, YouTube, videos. Sound quality is more important than a chat with grandma. Using advanced settings must be easy. Then, what about homework, scheduling, getting paid? Everything is important but at times requires using multiples online tools that can get time-consuming and complicated both for you and your student.

Blink Session Music is the most advanced and easy-to-use software for online music lessons. Upgraded sound? Absolutely, but Blink goes way beyond to upgrade your entire online lesson experience and business operations.

Are you stuck using Zoom or Skype? Then you're stuck with screen share. With Blink Session Music, load sheet music, tabs (with midi), audio or videos you upload, YouTube, all without screen share. Even assign all your music resources as homework.

Using a DAW or virtual mixer to stream your guitar or keyboard? No need with Blink. Stream up to three audio sources, at up to 300kbps mono or stereo. Plus toggle noise suppression off.

Blink Session Music's features go way beyond the lesson. Schedule, self-schedule, reminders, invoices, take payments, notes, files, homework, learning management, reports, and online lessons, all in the same platform.

Sign up now for Blink's free plan or take the plunge to a paid plan with more time and features.

🎙 Daniel Spreadbury and I talk Dorico.

In case you don’t subscribe to my podcast, I wanted to make sure you knew that I had the pleasure of interviewing Daniel Spreadbury, Product Manager of Dorico, last week.

Once we got going, this conversation ventured into great detail on the subject of Daniel’s start at Sibelius, using the different modes of Dorico, user interface design, the challenges of software development, the future of Dorico on mobile, and much more. 

I had a very fun time recording it and it is worth a listen if you have considered switching to Dorico. It is a must listen if you are in any way shape or form a nerd about user interface design or software development.

Here is a link to the episode: Listen here.