🔗 Chris Russell's early thoughts on the iPad Pro

If you ask me, Chris Russell's Technology in Music Education blog is one of the places on the web to read about music technology in education. Chris is a big time proponent and writer on using iPads in music ed. He is also a great hold out when it comes to resisting new tech and pushing his current technology to its near death. As a reckless early adopter I admire him for this.

Chris just updated his iPad to the large 12.9 pro model. This device was updated recently alongside an all new 10.5 inch sized pro model. I hear that the 120Hz refresh rate on the screen of both these new models is out of this world. Needless to say, now that Chris is using an iPad Pro, I am curious to see what he will write about it in the coming months. 

His early thoughts are in keeping with this theme, basically stating that the iPad Pro is a monster piece of hardware desperately waiting for the productivity features of iOS 11 this fall.

A few days with the new 12.9″ iPad Pro | Technology in Music Education:

I have been putting off the purchase of a new iPad for some time–and it was time to upgrade.

That iPad arrived on Tuesday, and I have been using the iPad Pro in my daily life for the past three days.  I have been reading a lot about the iPad Pro models on all of the technology news outlets.  The general consensus is that the iPad Pro is wonderful, but it costs a lot.  This sounds like typical Apple to me.  That said, my 2008 MacBook (which I am still using) was pretty expensive ($1500 if memory serves), but it is still working for me nearly 9 years later. 

I have been integrating the iPad Pro into my life, and for the most part, what I have to say is this: it is a big iPad that does what iPads do.  I am able to do some more split screen activities as the size better allows for it, and it is wonderful for reading music.

🔗 Pro Tools 12.5 Review - Cloud Collaboration Tested

Pro Tools 12.5 Review - Cloud Collaboration Tested:

Pro Tools 12.5 is Avid's latest version of Pro Tools, bringing cloud collaboration features. Here is our extensive review of Pro Tools 12.5 complete with video demo and our conclusion.

Cloud collaboration enables users of Pro Tools 12.5 the ability of working on projects together with other Pro Tools users around the world offering a set of integrated tools for sharing all or some of your Pro Tools session so other people can add their own parts or mix tracks.

I would love to know if anyone reading this has use for or has tested the cloud collaboration features of Pro Tools. They demoed really well when first announced. The process seems reliable but really clunky. If Apple had a bigger stake in this area, I wonder what collaborative features would look like in Logic Pro. 

🔗 Glenn Gould’s Every Detail. But Why? - The New York Times

Glenn Gould’s Every Detail. But Why? - The New York Times:

The first Beethoven sonata I learned as a young pianist was the dramatic “Pathétique.” When I started working on it, I tried to copy the way the great Rudolf Serkin played it on a recording I loved. There is a place for learning by emulating masters, but it can easily become inhibiting. Fairly early on, aspiring musicians must develop their own voices.

So when a score that meticulously transcribes every detail of Glenn Gould’s famed 1981 recording of Bach’s “Goldberg” Variations was published recently, while I was impressed with the painstaking effort involved, I questioned what it was for.

What’s its purpose? For whom is it intended? From what we know of Gould, he would have been baffled, even horrified, at the idea that a student learning the “Goldberg” Variations would precisely mimic his performance. He was too restless a thinker to consider any recording of his at all definitive. And imitating a pianist as idiosyncratic as Gould may not be a good idea for impressionable young musicians.

🔗 My Headphones, My Self - NYTimes.com

This is a fun article from back in December…

My Headphones, My Self - NYTimes.com:

You see them on every block: people being propelled through their routines listening to their own individualized soundtracks, with the outside world serving as a stage set.

Headphones are now fashion statements. Status symbols. Fetish objects on par with luxury watches and limited-edition Nikes.

I also liked this quote:

“Headphones are the front line of urban social defense,” said Julie Klausner, a comedian, actor and writer. “I’m introverted and socially anxious by nature. My worst nightmare is sitting next to someone on a plane or someone who wants to strike up a conversation on an elevator.”

🔗 Mixing Call Me Maybe

I love reading stuff like this interview from Dave Ogilvie about mixing the song “Call Me Maybe.” Here are a couple of parts that jumped out at me.

Dave Ogilvie mixing “Call Me Maybe”:

Back at home in Vancouver, Ogilvie is well known as a top mixer and producer, although he is more strongly associated with electronic and industrial music than breezy, catchy pop. He has worked with Skinny Puppy, Nine Inch Nails, the Birthday Massacre, Marilyn Manson, Einstürzende Neubauten and many more…

…

'Call Me Maybe' thus conceals some darker elements beneath its radio-friendly surface. At first listen, it's a rather fluffy, lightweight, bubblegum pop song, but closer inspection quickly reveals another dimension, which is most apparent in a hypnotic four-to-the-floor bass drum that becomes monstrous in the choruses and a muscular string hook. The song also comes across as a genuine representation of Carly Rae Jepsen's character.

…

"The main thing that Josh wanted me to do during my mix of 'Call Me Maybe' was to make the kick drum really prominent and punchy. He wanted me to do everything I could to make it super-special. I think I spent a good couple of hours on the kick drum alone, and kept pushing myself to create the ultimate kick drum, and have it super-loud and driving the track. When I finished the mix, I thought it really was very, very loud, and I was a little apprehensive about the power of the bottom end, wondering whether I'd gone too far with it for a pop song. But Josh and I looked at each other and said: 'This is what we are shooting for.' So we printed it like that and when I later heard it on the radio I was like, 'Wow, this is awesome.' It seems to work because of the space in the track, which I was careful to leave, which means that you can hear the punch the kick drum is intended to have on computer speakers and in cars and in stores, in fact pretty much everywhere.

🔗 iOS 11 Tidbits from Mac Rumors

iOS 11 Tidbits: Customizable Control Center, One-Handed Keyboard, Type to Siri and More - Mac Rumors:

iOS 11 introduces a huge number of major changes to the operating system, ranging from a redesigned Control Center experience to a host of new features specific to the iPad, but along with all of these major changes, outlined in our iOS 11 announcement post, there are also dozens of smaller changes that have been added to the beta. 

Below, we've outlined some of the smaller but still significant tweaks that went unmentioned during Apple's whirlwind keynote announcement. 

I love articles like this. In the coming weeks, people who are running the iOS 11 beta will likely be discovering all of the nice little features that there wasn’t time in the keynote to address. Every once in a while, I find that there is one little minor change that is going to solve a daily frustration for me. A few from this that really resonate with me are…

• Type to Siri (an accessibility setting allowing you to type Siri inquires rather than saying them)

• Customizable Control Center

• Offload Unused Apps (auto delete apps that haven’t been opened in a while)

• Drag and Drop for iPhone (does not work across apps though)

• AirPod settings (now, double tapping the right side can perform a different ask than tapping the left side)

• Screen recording (will be awesome for making how-to videos and recording Snapchat videos

🔗 Bringing Apple HomeKit Support to Ring

As someone who has invested hundreds of dollars in home automation devices over the past two years, this news was exciting to me.

Bringing Apple HomeKit Support to Ring:

Some of you may have recognized a familiar name onstage at Apple’s Worldwide Developers Conference (WWDC) earlier this week.

We’re excited to officially announce that HomeKit support is coming to Ring later this year, which means Ring neighbors will have an easy, secure and private way to monitor their home via the new Home app in iOS 10. We’re also adding Siri support, which gives you another great way to interact with your home and Ring products.

Unfortunately, it is one year later and the app is still not updated with HomeKit support. I am still looking forward to it though. The demo at WWDC last year depicted the Ring doorbell app sending “rich” notifications to the iPhone. Rather than launching the Ring app to see the video feed of who is at your door, the live video feed was embedded right into the notification. Pretty neat stuff.

🔗 Why Remix ‘Sgt. Pepper’s’? Giles Martin, The Man Behind The Project, Explains

Looking forward to catching up on my podcast queue this weekend with this one…

Why Remix ‘Sgt. Pepper’s’? Giles Martin, The Man Behind The Project, Explains

I have not had enough time to dig into the new Sgt. Peppper’s remaster but when I do, I am sure I will listen to the original multiple times through before digging into the new version.

🔗 Drumset = You

John Colpitts’s “Drumset = You” is a fun read. Having grown up with so many of these drum set method books, I admire his dedication to the small amounts of written text contained within them. Growing up, of course, I rarely read this material, having been in middle school and being very anxious to get to the playing music part.

Drumset = You by John Colpitts:

I’m a mostly untrained drummer. I’ve taken lessons for brief periods, but until recently I’d missed out on that most essential component of drum pedagogy: the method book. In my efforts to improve, I’ve been drawn to the introductions of these books, which feature efficient, often dull language—and in which, occasionally, the eccentricities of the authors shine through in remarkable ways. In the last few months, I’ve become obsessed with gleaning hints about drummers’ personalities from these books, far too many of which, perhaps unsurprisingly, have been written by men. Lost in the hinterland between art and technique, their introductions tend to exhibit grouchiness, pretension, narcissism, penury, New Age quirkiness, and sometimes even wisdom. What follows is a survey of some of the more striking entries.

🔗 New update to Dorico

New update to Dorico. Read about it at Scoring Notes here. See a preview video about it below.

I have been using Dorico since the fall and I love it more and more every day. I still need to boot up Sibelius every now and then, but I have mostly phased out of it.