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Robby Burns
David MacDonald unboxes the Odla music notation ...
David MacDonald unboxes the Odla music notation controller

music ed

Practical Projects for Your Elective Course

I will be presenting a session at the NJMEA Conference this week titled Practical Projects for Your Elective Course. In preparation for this presentation, I have reissued an older episode of my podcast with similar content to make it quickly accessible in the feed for attendees of the session.

This post contains the episode and resources related to the presentation.

The podcast episode opens with my first impressions of the Apple Vision Pro which I got to try out last week.

Enjoy!

Listen to the podcast episode and subscribe below!

Subscribe to the Podcast in… Apple Podcasts | Overcast | Castro | Spotify | RSS

This is the first year that I have had consistent access to a cloud-based DAW and notation editor with all of my students. The result of this experience has been dozens of new Soundtrap project ideas. I plan to do an episode and post about how I am using these tools for composition projects in the band classroom later this year.

In the episode above, and in this post, I give an overview of three of my most successful Soundtrap projects this year. These projects can be done in any digital audio workstation, including Bandlab, GarageBand, Logic, Ableton Live, etc.

Listen to the episode for a more thorough explanation of each idea.

C Melody and Loop Audition

Melody writing in Noteflight and producing in Soundtrap go hand in hand. Because of Noteflight’s many export options, you have many ways to get your melody out of Noteflight and into your Soundtrap project.

Melody writing in Noteflight and producing in Soundtrap go hand in hand. Because of Noteflight’s many export options, you have many ways to get your melody out of Noteflight and into your Soundtrap project.

After giving students some time to experience the user interface of Soundtrap, I have them write a short, 8 measure long, melody in the key of C using Noteflight.

Next, I have them export this melody as a MIDI file and then import it into a track in Soundtrap. Next, I have them add three more tracks and create an accompaniment for their melody using at least one of the three loop types.

  1. Bass

  2. Percussion

  3. Harmonic (guitar, synth, piano, etc.)

Here is a recent submission of this project one of my students made. This assignment was submitted later in the semester when we had expanded the project into composing two alternating melodies which became the basis of a song-form in Soundtrap. By alternating between both melodies (and varying the loop accompaniment) the student made a song that follows the form: Verse—Chorus—Verse—Chorus—Bridge—Chorus. This particular student chose to improvise the blues scale over the bridge.

Row Your Boat Multi-Track

This idea was taken from the amazing Middle School Music Technology class content in MusicFirst. I recommend checking out their subscription options if you like this idea. MusicFirst combines the activity with curated YouTube and Spotify playlists that give students an idea about early recording studio practices for multi-track recording before music was produced digitally.

I am giving an overview of this project with permission from MusicFirst. Full Disclosure: MusicFirst is a past sponsor of the Music Ed Tech Talk blog and podcast.

To start, the student performs the song Row Row Row Your Boat into a software instrument track in Soundtrap. After it is recorded, they quantize it to the nearest 1/8th or 1/16th note so that it is rhythmically accurate.

Next, they duplicate this track two times. Using the piano roll to edit the MIDI content of each loop, students select all notes and drag them higher to create harmony. I have them move the second track a third higher and the next track a fifth higher so that they get a nice three-part voicing.

After multi-tracking the melody of Row Row Row Your Boat, this student moved the starting point of each region to create a round.

After multi-tracking the melody of Row Row Row Your Boat, this student moved the starting point of each region to create a round.

Next, I have them move any notes that land on black keys as a result down to the nearest white key so that every note of each voice is in the key of C.

Next, I have them duplicate these three tracks and transpose them up an octave. Next, I have them take the lowest voice and transpose it down three octaves to add some bass. You can have students make the final result as dense as you like.

Optionally, students can experiment with using different instrument sounds and adding groove-based loop accompaniment.

Here are three recent examples of my student’s submissions:

All-Star Remix

In this assignment, I take a popular song that students choose and separate the voice from the instrumental accompaniment. Then I add it to an audio track in a Soundtrap template and match the tempo and key of the Soundtrap project to the vocal track.

This way, students can drag and drop loops and have them match the pitch and tempo content of the vocals.

I have a post with more details about this project here.

You can watch a video of how to do it below.

Here are two examples of my own student’s recent work:

For a Soundtrap project idea for teaching band/choir/orchestra students to compose, check out the podcast episode and blog post below:

Episode Info

See below for all notes associated with the podcast episode…

Description

Robby overviews his three most successful Soundtrap projects in 2021.

Chapters:

  • 00:00:00 - Intro

  • 00:00:14 - Sponsor: DMV Percussion Academy

  • 00:01:24 - About this Episode

  • 00:03:51 - YAY SUMMER

  • 00:05:11 - 1: Melody Composition / Loop Accompaniment

  • 00:14:35 - 1: Student Examples

  • 00:16:15 - 2: Row Your Boat Multi-Track

  • 00:22:19 - 2: Student Examples

  • 00:24:27 - 3: All-Star Remix

  • 00:34:38 - 3: Student Examples

  • 00:36:00 - Grading for Mastery Not Creativity

  • 00:37:47 - Tech Tip of the Week

  • 00:39:20 - App of the Week

  • 00:40:00 - Album of the Week

  • 00:42:44 - Conclusion

Show Notes:

App of the Week: 
Reeder 5

Album of the Week:
Alison Balsom - Paris

Thanks to this week’s sponsor, the DMV Percussion Academy. Learn more and register here.

Please don’t forget to rate the show and share it with others!

Subscribe to Music Ed Tech Talk:

Subscribe to the Blog

Subscribe to the Podcast in… Apple Podcasts | Overcast | Castro | Spotify | RSS

Digital Organization Tips for Music Teachers, Revisited

I will be presenting a session at the NJMEA Conference this week titled Digital Organization Tips for Music Teachers. In preparation for this presentation, I have revisited this topic on my podcast with similar content to make it quickly accessible in the feed for attendees of the session.

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Thanks to my sponsors this month, Scale Exercise Play Along Tracks.

Show Notes:

Please don't forget to rate the show and share it with others!

3 Soundtrap Projects Your Students Will Love

Listen to the podcast episode and subscribe below!

Subscribe to the Podcast in… Apple Podcasts | Overcast | Castro | Spotify | RSS

This is the first year that I have had consistent access to a cloud-based DAW and notation editor with all of my students. The result of this experience has been dozens of new Soundtrap project ideas. I plan to do an episode and post about how I am using these tools for composition projects in the band classroom later this year.

In the episode above, and in this post, I give an overview of three of my most successful Soundtrap projects this year. These projects can be done in any digital audio workstation, including Bandlab, GarageBand, Logic, Ableton Live, etc.

Listen to the episode for a more thorough explanation of each idea.

C Melody and Loop Audition

Melody writing in Noteflight and producing in Soundtrap go hand in hand. Because of Noteflight’s many export options, you have many ways to get your melody out of Noteflight and into your Soundtrap project.

Melody writing in Noteflight and producing in Soundtrap go hand in hand. Because of Noteflight’s many export options, you have many ways to get your melody out of Noteflight and into your Soundtrap project.

After giving students some time to experience the user interface of Soundtrap, I have them write a short, 8 measure long, melody in the key of C using Noteflight.

Next, I have them export this melody as a MIDI file and then import it into a track in Soundtrap. Next, I have them add three more tracks and create an accompaniment for their melody using at least one of the three loop types.

  1. Bass

  2. Percussion

  3. Harmonic (guitar, synth, piano, etc.)

Here is a recent submission of this project one of my students made. This assignment was submitted later in the semester when we had expanded the project into composing two alternating melodies which became the basis of a song-form in Soundtrap. By alternating between both melodies (and varying the loop accompaniment) the student made a song that follows the form: Verse—Chorus—Verse—Chorus—Bridge—Chorus. This particular student chose to improvise the blues scale over the bridge.

Row Your Boat Multi-Track

This idea was taken from the amazing Middle School Music Technology class content in MusicFirst. I recommend checking out their subscription options if you like this idea. MusicFirst combines the activity with curated YouTube and Spotify playlists that give students an idea about early recording studio practices for multi-track recording before music was produced digitally.

I am giving an overview of this project with permission from MusicFirst. Full Disclosure: MusicFirst is a past sponsor of the Music Ed Tech Talk blog and podcast.

To start, the student performs the song Row Row Row Your Boat into a software instrument track in Soundtrap. After it is recorded, they quantize it to the nearest 1/8th or 1/16th note so that it is rhythmically accurate.

Next, they duplicate this track two times. Using the piano roll to edit the MIDI content of each loop, students select all notes and drag them higher to create harmony. I have them move the second track a third higher and the next track a fifth higher so that they get a nice three-part voicing.

After multi-tracking the melody of Row Row Row Your Boat, this student moved the starting point of each region to create a round.

After multi-tracking the melody of Row Row Row Your Boat, this student moved the starting point of each region to create a round.

Next, I have them move any notes that land on black keys as a result down to the nearest white key so that every note of each voice is in the key of C.

Next, I have them duplicate these three tracks and transpose them up an octave. Next, I have them take the lowest voice and transpose it down three octaves to add some bass. You can have students make the final result as dense as you like.

Optionally, students can experiment with using different instrument sounds and adding groove-based loop accompaniment.

Here are three recent examples of my student’s submissions:

All-Star Remix

In this assignment, I take a popular song that students choose and separate the voice from the instrumental accompaniment. Then I add it to an audio track in a Soundtrap template and match the tempo and key of the Soundtrap project to the vocal track.

This way, students can drag and drop loops and have them match the pitch and tempo content of the vocals.

I have a post with more details about this project here.

You can watch a video of how to do it below.

Here are two examples of my own student’s recent work:

For a Soundtrap project idea for teaching band/choir/orchestra students to compose, check out the podcast episode and blog post below:

Episode Info

See below for all notes associated with the podcast episode…

Description

Robby overviews his three most successful Soundtrap projects in 2021.

Chapters:

  • 00:00:00 - Intro

  • 00:00:14 - Sponsor: DMV Percussion Academy

  • 00:01:24 - About this Episode

  • 00:03:51 - YAY SUMMER

  • 00:05:11 - 1: Melody Composition / Loop Accompaniment

  • 00:14:35 - 1: Student Examples

  • 00:16:15 - 2: Row Your Boat Multi-Track

  • 00:22:19 - 2: Student Examples

  • 00:24:27 - 3: All-Star Remix

  • 00:34:38 - 3: Student Examples

  • 00:36:00 - Grading for Mastery Not Creativity

  • 00:37:47 - Tech Tip of the Week

  • 00:39:20 - App of the Week

  • 00:40:00 - Album of the Week

  • 00:42:44 - Conclusion

Show Notes:

App of the Week: 
Reeder 5

Album of the Week:
Alison Balsom - Paris

Thanks to this week’s sponsor, the DMV Percussion Academy. Learn more and register here.

Please don’t forget to rate the show and share it with others!

Subscribe to Music Ed Tech Talk:

Subscribe to the Blog

Subscribe to the Podcast in… Apple Podcasts | Overcast | Castro | Spotify | RSS

3 Things I Started Doing with My Band Class During COVID That I Will Do Every Year From Now On

It seems plausible that some people subscribe to this blog and do not follow me on Twitter, so allow me to expand this recent Tweet thread into a lazy blog post.

Thread: a few things I am doing in my band teaching this year, that I previously didn't have the time or resources to organize, but COVID forced my hand. (I will definitely be doing each of these every school year from now on)...

A chart designed by my colleague Ben Denne. By thinking critically about music that will challenge, but not overwhelm them, students pick their select their own, grade appropriate, solo music.

A chart designed by my colleague Ben Denne. By thinking critically about music that will challenge, but not overwhelm them, students pick their select their own, grade appropriate, solo music.

  1. Solo prep: by asking colleagues for rep ideas across all instruments, I created a resource in my LMS that guides students through a process of selecting appropriate solo rep for our district Festival and then registering for it. Student enrollment is up over 300 percent this year.

  2. Composition: students LOVE writing short themes and ostinato patterns in Noteflight After recording their comps, they will make unique band arrangements out of each other’s recordings in Soundtrap by dragging them on top of one another and splicing/editing them, like loops. Inspiration for this idea and supporting materials provided by Alex Shapiro and can be found here.

  3. Recording: having my students record video performances is not new. But having them record in a DAW, with respect to measure number, beat placement, and a metronome has been huge for our understanding of rhythm and form. Also it requires them to practice way more.

And then there are 100 new things I can do in my general music class simply by having access to a notation editor and DAW. I don't have enough time to detail them now but here is one example:

As much fun as I have grinding in Final Cut Pro, I do NOT see virtual band videos becoming a thing beyond this school year. It was fun while it lasted. Here's last year's WW Quintet:

Are any of these ideas worth writing about in more detail? Let me know on social media or by heading over to my Contact page.

Develop Performance Skills Remotely with Cloud Software (Session Notes) - TMEA 2021 | Saturday, February 13

Are you coming to my TMEA session, Develop Performance Skills Remotely with Cloud Software today? It starts at 3 pm! Here are the session notes which include links to all of the software mentioned in the presentation.

About Robby Burns

Website - robbyburns.com

Blog - Music Ed Tech Talk (musicedtechtalk.com)

Subscribe to the Music Ed Tech Talk podcast - Apple Podcasts | Spotify | RSS

Subscribe to my email newsletter

Buy my book - Digital Organization Tips for Music Teachers

Buy my Scale Play Along Tracks

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Apple Silicon, Macs in Education, and App-Centric Learning

Apple Silicon Macs are likely going to be announced at their upcoming event this Tuesday, November 10th.

Bradley Chambers is incredibly knowledgeable about Apple's relationship with education and he makes some great points in the post below about how this transition could influence the Mac in education.

Making the Grade: What will Apple Silicon mean for Apple's education strategy? - 9to5Mac:

I believe that Apple will have untold flexibility in what kind of laptops they can produce for schools now. Is it possible to build an 11″ MacBook based on Apple Silicon that is $799 when purchased in bulk but still runs extremely fast? I believe so. It might not be in the first year or two of Apple Silicon’s lifespan that we see it, but in a few years, it’s certainly possible that Apple will have reduced the cost on the A14 to put it in a K–12 focused laptop in the future.

I could be way off base on my predictions. Still, I believe that Apple Silicon will unlock a lot of potential in K–12 to produce lower-cost laptops that will run circles around much higher priced laptops running Intel chips. I’d love to see an 11″ Apple Silicon laptop aimed directly at students that could be used for many years.

I really do hope that Apple tries to be creative with the Mac in education again. Still, I fear that anything they do is too little, too late. Apple has has not been aggressive in education. They tend to make huge leaps in certain areas of their business and then let them settle for a long time, sometimes years. This approach works for developing consumer software like note-taking apps, but it is not aggressive enough to compete with Chromebooks and cloud-based education software. I think back to Apple’s education event a few years back where they positioned the iPad as their future in schools and released a bunch of APIs that iOS app developers could use to link into their Classroom app. Years later, what has come of any of that? If you are using iPads in education, and you use Apple Classroom in combination with third party apps, I would love to hear from you!

Chromebooks and web apps have taken off. And a lot of these web apps can talk to each other. For example, third parties like Flipgrid and Noteflight can integrate with LMS software like Blackboard and Canvas. But these connections are often full of frustrating bugs. On top of this, the quality of a lot of this software in ed tech is already so poor. I wouldn't exactly call it a race to the bottom, because most developers are doing their best with the resources they have, but I like to dream about an alternate reality where Apple's vision for an "app-centric" model were the norm instead of the "web-centric" model we have now.

Of course, web software is cheaper and cross-platform. So it makes sense that it has caught on for being most equitable. But in a world where Apple had kept their prices more competitive, maybe school districts would have been more willing to buy students 1:1 Apple products, especially when schools jumped online in March.

METT Podcast #16 - Master Your Virtual Teaching Tech, with David MacDonald

Thanks to my sponsor this month, MusicFirst

David MacDonald returns to the show to talk about the hardware and software in our virtual teaching setups. Then we speculate about touchscreen Macs and consider how Apple's recent App Store policies might impact the future of creative professional software on iOS.

Topics include:

  • New Zoom features for musicians and teachers
  • David and Philip Rothman's new podcast, Scoring Notes
  • Using Open Broadcaster Software to level up your virtual teaching
  • Routing audio from your apps into Zoom and Google Meet calls
  • Teaching with Auralia
  • LMS integration with third-party music education apps
  • Using MainStage and Logic for performing instruments into virtual classrooms
  • Touchscreen Macs
  • Apple's App Store Policy

Show Notes:

Where to Find Us:
Robby - Twitter | Blog | Book
David MacDonald - Twitter | Website | Blog

Please don't forget to rate the show and share it with others!

Subscribe to Music Ed Tech Talk:

Subscribe to the Blog

Subscribe to the Podcast in... Apple Podcasts | Overcast | Castro | Spotify | RSS

Today's episode is sponsored by MusicFirst:

MusicFirst offers music educators and their students easy-to-use, affordable, cloud-based software that enables music learning, creation, assessment, sharing, and exploration on any device, anywhere, at any time.

MusicFirst Classroom is the only learning management system designed specifically for K-12 music education. It combines the flexibility of an LMS with engaging content and powerful software integrations to help manage your students’ progress, make lesson plans, and create assignments.

And for younger students, MusicFirst Junior is the perfect online system for teaching elementary general music. It includes a comprehensive K-5 curriculum, hundreds of lessons & songs, and kid-friendly graphics to making learning and creating music fun!

Whether you’re teaching remotely, in-person, or in a blended learning environment, MusicFirst will work with you to find a solution that fits your program’s unique needs. Try it free for 30 days at musicfirst.com.

David’s teaching setup.

David’s teaching setup.

My teaching setup.

My teaching setup.

…From far away.

…From far away.

🔗 Google Meet now works with Chromecast on your TV

Google Meet now works with Chromecast on your TV. - 9to5Google:

Meet on Chromecast works exclusively through the Chrome browser on your desktop or laptop computer. That’s because, when this is running, Google still uses the camera, microphone, and audio from your machine to power the experience. The meeting itself is just cast off to your TV or other display so you can view it on a larger display. Google is continuing to be quite aggressive with updates to Google Meet.

While I am happy with my tech setup in my studio, I know there will be times when I need a change of scenery. I fully plan to teach some lessons from my sunroom and living room. My living room TV has a Chromecast built in and I can totally see myself projecting the class on to the big screen while providing feedback from my laptop on the couch and using the laptop screen as extra real estate for other apps.

🔗 Chris Russell on sheet music scanning apps

Last week Chris Russell reviewed a new score scanning app, ScanScore. I kind of like that he turned this review into a comparison of the different options available, with example photos. Here is a link to the post with a quote:

ScanScore – Technology in Music Education

So, how did it work? Again, I’m not in the scanning mode right now, so I’m creating an artificial comparison (something that really isn’t crucial to me on a need-to-get-it-done-as-quickly-as-possible basis). I decided to take a a version of Beethoven’s Moonlight Sonata from IMSLP, and to see how the programs did with it.

While one example is not enough to effectively compare this kind of software, it's still interesting to see where they stack up in the example he provided. I personally find that these scanner apps require more touch up than is worth the effort. In many cases it is still easier to manually recreate the score in a notation app. 

Of the apps Chris mentions in the post, Sheet Music Scanner is my favorite, even though it doesn't do triplets yet.

🎙 #13 - Exploring Noteflight Learn, with John Mlynczak

John Mlynczak returns to the show to discuss Noteflight's new integration with Sound Check and offers advice to educators about teaching online this fall, and what we can learn from it.

Show Notes:

App of the Week: Robby - Kindle/Audible | John - TikTok

Album of the Week: Robby - Igor Levit - Beethoven Piano Sonatas | John - Hamilton on Disney+

Where to Find Us: Robby - Twitter | Blog | Book | John - Twitter

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