online teaching

Introducing My "Scale Exercise Play-Along Tracks With Trap Beats" - Available Now on My New Online Store!

I am announcing a new section of this website. A STORE! Starting today, I will be selling digital products and services I have created for musicians and music teachers. Check it out here!

First up is a collection of Scale Exercise Play-Along Tracks with Trap Beats underneath them.

You bet there's a promotional video.

Here is the product description from the sale page:

This collection contains over 70 major scale play-along tracks for your ensemble.

Each track includes a tuning drone playing the tonic with a scale overtop in just intonation so that you can reinforce flawless intonation, tone production, and blend amongst your students. Every exercise includes a count-off and a trap beat underneath to engage your students while reinforcing slower playing and subdividing!

The audio-only version of this package includes mp3 files of the following recordings in all twelve major keys, at 70bpm.

  • Whole note scale

  • Half note scale

  • Quarter note scale

  • Eighth note scale

  • Scale Exercise in Thirds

  • Mini-Scale with Arpeggio

Also included:

  • Remington at three different speeds! Perfect for playing underneath many of the exercises that come from popular band methods.

The premium version of this product includes the audio tracks above in addition to the Logic Pro and GarageBand stems so you can edit every element of the tracks, including speed, pitch, and instrumentation.

These are perfect for running through your Zoom/Google Meet/Virtual Classroom to keep kids playing as much as possible.

I have been using tracks like these with my band students for years now and they LOVE them. The trap beat resonates with them. Its popularity in hip hop music aside, there is something compelling about them, musically. The backbeat on three, combined with the busy hi-hat activity, helps kids subdivide slower tempos and keeps them motivated to practice stuff like long tones and scales. The strong 808 baseline asserts the beat while adding fun syncopation.

It was essential to me that the drones were in just intonation because I teach my students to hear and adjust to the beats that result when unison pitches and diatonic intervals are in/out of tune. The Yamaha Harmony Director was definitely the tool for the job. Here's a really brief blog post I shared earlier this month about the process if you want to take a stab at making something like this.

You can alternatively do this process using the (excellent) Tonal Energy Tuner App, a MIDI keyboard, and GarageBand on iOS. I wrote about that here. I prefer the Tonal Energy experience, but the Yamaha's hardware keys made it easier to "perform" the drones and allowed me to create in Logic Pro, which I am more proficient in.

The original concept for this was very ambitious initially, and I simplified the vision a ton to help myself "ship it." I have seen music teachers asking for something like this on social media a lot lately, and it seemed like time to do the work. I am happy with how they turned out and I hope to create more of these down the road in varying style, tempo, and exercise patterns.

A few notes:

  1. Due to file upload limitations on Squarespace, buying the stems directs you to download a text file instead of the audio files. The text file contains a link to a third-party hosting source. A little inelegant, I know, but setting up a Squarespace store was otherwise the most comfortable choice.
  2. These are incredibly effective for engaging synchronous ensemble rehearsals. No, we still can't play at once, but running rehearsal tracks through your Google Meet or Zoom call while students are muted is a great way to keep them playing. These tracks are slow enough that I have had success having groups of 3-6 unmute while playing along, and it is not total chaos. Between these, my Solfege Bingo tracks, and The Breathing Gym DVD, we can be synchronously active for more than 80 percent of each class. I get the audio to route directly through to the call using Loopback.
  3. Many of these tracks, particularly the scale exercise in thirds, mini-scale, and Remington tracks, pair perfectly with a multitude of examples in the Foundation for Superior Performance band method books series. I did not title them as such because the book and my project are in no way connected. I bring it up here because I know those exercises are ubiquitous in band rehearsals, and it's for this reason, many directors have their students purchase those books.
  4. I made the arrangements of these tracks simple to keep the appeal as wide-reaching and flexible as possible. My hope is that people who really want to change the style, edit the beat, change the speed, or any other kind of alternation, will buy the version that comes with the GarageBand and Logic stems. Tip: If you want to use software instruments to create your own accompaniment, and want them to be justly in tune with my tracks, Logic Pro has support for tuning systems. That means that if you mute my trap beat and add your own samba tracks, you can have the instruments play in the key area you select instead of their usual equal tempered tuning.

Attendance for Google Meet | A Chrome Extension That Automatically Takes Your Attendance for You and Saves It to a Google Sheet

Attendance for Google Meet (download here) is an exceptional extension for Google Chrome that automatically takes attendance for you and saves it to a Google Sheet document in your Google Drive.

There are other extensions like this but most of them are poorly designed, buggy, and unreliable. 

Attendance for Google Meet has an elegant and straightforward design and user experience, down to the icon even matching Google's 'Material Design' language. I am especially proud of this extension because it is made by a student at Centennial High School, which is one of the schools that my band program sends students to when they graduate.

Watch the video below to get an idea of what the features look like in action.

The process is simple. Once installed, you are prompted to create a class list the next time you start a Google Meet. Creating a list is as simple as entering the students names and pressing enter after each one. Once a class is created, you can select it from the same menu every time you launch a Meet. 

The app logs when kids enter, when they leave, and the total number of minutes they spent in class, so you can catch it if they dip in for the first minute and then leave immediately. Even the Google Sheet is designed to be easy to read.

There are some bugs, notably that the chat window closes frequently during the session. I also have to manually export the list before closing the Meet because the option you check in settings to make this happen automatically keeps turning itself off.

I strongly recommend this extension if you are teaching with Google Meet this year. Congratulations to this awesome student developer on making such a useful tool for teachers!

METT Podcast #16 - Master Your Virtual Teaching Tech, with David MacDonald

Thanks to my sponsor this month, MusicFirst

David MacDonald returns to the show to talk about the hardware and software in our virtual teaching setups. Then we speculate about touchscreen Macs and consider how Apple's recent App Store policies might impact the future of creative professional software on iOS.

Topics include:

  • New Zoom features for musicians and teachers
  • David and Philip Rothman's new podcast, Scoring Notes
  • Using Open Broadcaster Software to level up your virtual teaching
  • Routing audio from your apps into Zoom and Google Meet calls
  • Teaching with Auralia
  • LMS integration with third-party music education apps
  • Using MainStage and Logic for performing instruments into virtual classrooms
  • Touchscreen Macs
  • Apple's App Store Policy

Show Notes:

Where to Find Us:
Robby - Twitter | Blog | Book
David MacDonald - Twitter | Website | Blog

Please don't forget to rate the show and share it with others!

Subscribe to Music Ed Tech Talk:

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Subscribe to the Podcast in... Apple Podcasts | Overcast | Castro | Spotify | RSS

Today's episode is sponsored by MusicFirst:

MusicFirst offers music educators and their students easy-to-use, affordable, cloud-based software that enables music learning, creation, assessment, sharing, and exploration on any device, anywhere, at any time.

MusicFirst Classroom is the only learning management system designed specifically for K-12 music education. It combines the flexibility of an LMS with engaging content and powerful software integrations to help manage your students’ progress, make lesson plans, and create assignments.

And for younger students, MusicFirst Junior is the perfect online system for teaching elementary general music. It includes a comprehensive K-5 curriculum, hundreds of lessons & songs, and kid-friendly graphics to making learning and creating music fun!

Whether you’re teaching remotely, in-person, or in a blended learning environment, MusicFirst will work with you to find a solution that fits your program’s unique needs. Try it free for 30 days at musicfirst.com.

David’s teaching setup.

David’s teaching setup.

My teaching setup.

My teaching setup.

…From far away.

…From far away.

🔗 Google Meet now works with Chromecast on your TV

Google Meet now works with Chromecast on your TV. - 9to5Google:

Meet on Chromecast works exclusively through the Chrome browser on your desktop or laptop computer. That’s because, when this is running, Google still uses the camera, microphone, and audio from your machine to power the experience. The meeting itself is just cast off to your TV or other display so you can view it on a larger display. Google is continuing to be quite aggressive with updates to Google Meet.

While I am happy with my tech setup in my studio, I know there will be times when I need a change of scenery. I fully plan to teach some lessons from my sunroom and living room. My living room TV has a Chromecast built in and I can totally see myself projecting the class on to the big screen while providing feedback from my laptop on the couch and using the laptop screen as extra real estate for other apps.

Hyper-charging Online Classes with Open Broadcaster Software

OBS allows me to combine multiple sources into engaging scenes that I can easily transition between. The right video represents the scene that is live for my students to see in Google Meet. The left represents the scene I have queued up to go live w…

OBS allows me to combine multiple sources into engaging scenes that I can easily transition between. The right video represents the scene that is live for my students to see in Google Meet. The left represents the scene I have queued up to go live when I press a transition button.

In an effort to embellish my online teaching setup, I have been experimenting with Open Broadcaster Software. It's free on Windows and Mac and honestly not that hard to set up. 

It links seamlessly to most streaming services and by installing this plugin, you can have the output of your broadcast be the input of your Google Meet, Zoom, or Microsoft Teams classroom. This pairs really well with my Loopback workflow, which has now become the basis for all audio input in my online classes.

The sources that can make up your scenes.

The sources that can make up your scenes.

OBS allows you to create scenes that combine different video sources, graphics, backgrounds, and microphones, and rapidly switch between them. You could have a scene that is just your web cam's view of your face talking or another one that combines a window of your web browser with your webcam's view of your face in the lower right corner. You could even have an image from your hard drive as a graphic in the upper corner of a scene, or as a static image or background. 

The video on the right represents the live broadcast, whether that be a Twitch Stream, Facebook Live, or your end of a video call. 

The video on the left represents a preview of whatever scene you currently have selected. Pressing the transition buttons in between the two videos makes whatever is on the left go live. 

The scenes and transitions can make your videos look very professional. I am all about this idea of making my classes feel like a Twitch live stream. This is the online video language that holds people, particularly young people’s, attention. Why not try to imitate it if it makes for more engaging music experiences?

So far some of my scenes include:

  • Webcam: this one projects my face fullscreen

  • Chrome+Me: displays a Chrome window with my webcam feed in the lower corner

  • Desktop+Me: same as above but shows my entire screen instead of a Chrome window

  • AirPlay: using AirServer (directions here), I can stream my iPad screen to a scene

  • iPhone Camera: you can use this app to use your phone as a second camera angle, or just use AirServer and stream your phone with the camera app turned on

  • Agenda: a static image that represents what would usually be on the board when students enter the room… It's what they will see when they are joining the Google Meet in the opening minutes of class

  • And many slight variations of the above

Scenes and the sources that they contain.

Scenes and the sources that they contain.

David MacDonald (recent podcast guest) has a great scene where he puts an image of a piano keyboard layout on the bottom of the screen, underneath the view of his webcam. The keys light up blue when he plays them so his music theory students can get a clear idea of what he is talking about. I recommend you check out a post of his if you want to learn how to do it. This post is also more instructive about the steps you need to take to get up and running with OBS and is a great starting point if you want go to this path. Read here: Teaching Tech (Live Keyboard Overlay in Zoom) .

live-keyboard-demo-2.gif

OBS makes transitioning between these scenes really quick and engaging to watch. It's fun to combine the different sources so that a student can see my screen, my face talking, and an overhead view of my hands on a keyboard all at once. But even the act of transitioning between those three sources smoothly is a big enhancement alone.

OBS has a super helpful community on Reddit and Discord. I didn’t need them that much though. Googling most of my questions yielded quick results from the OBS user forum.

In Google Meet, Zoom, or Microsoft Teams, you can change the video source from your built in camera to the OBS virtual camera.

In Google Meet, Zoom, or Microsoft Teams, you can change the video source from your built in camera to the OBS virtual camera.

Edit: I have been using OBS and Keyboard Maestro in combination with the Elago Stream Deck and it is a dream! I hope to blog more about this device soon. See below for a demo of what I was able to get it to do in my first sitting.

My Online Teaching Setup (High-Tech Edition)

My studio computer and associated hardware.

My studio computer and associated hardware.

When school let out in March, I wrote My Very Straightforward and Very Successful Setup for Teaching Virtual Private Lessons. The impetus for this post, and its snarky title, was an overwhelming number of teachers I saw on Facebook fussing about what apps and hardware they should use to teach online when all you really need is a smartphone, FaceTime, and maybe a tripod.

I stand by that post. But there are also reasons to go high-tech. I have had a lot of time this summer to reflect on the coming fall teaching semester. I have been experimenting with software and hardware solutions that are going to make my classes way more engaging.

Zoom

I have been hesitant about Zoom. I still have reservations about their software. Yet, it is hard to resist how customizable their desktop version is. I will be using Google Meet for my public school classes in September, but for my private lessons, I have been taking advantage of Zoom’s detailed features and settings.

For example, it’s easier to manage audio ins and outs. Right from the chat window, I can change if my voice input is going through my Mac's internal microphone or my studio microphone, or if video is coming from my laptop webcam or my external Logitech webcam. This will also be useful for routing audio from apps into the call (we will get to that in a moment).

Zoom allows you to choose the audio/video input from right within the call.

Zoom allows you to choose the audio/video input from right within the call.

Zoom also allows you to AirPlay the screen of an iOS device to the student as a screen sharing option. This is the main reason I have been experimenting with Zoom. Providing musical feedback is challenging over an internet-connected video call. Speaking slowly helps to convey thoughts accurately, but it helps a lot more when I say “start at measure 32” and the student sees me circle the spot I want them to start in the music, right on their phone.

You can get really detailed by zooming in and out of scores and annotating as little as a single note. If you are wondering, I am doing all of this on a 12.9 inch iPad Pro with Apple Pencil, using the forScore app. A tight feedback loop of “student performance—>teacher feedback—>student adjustment” is so important to good teaching, and a lot of it is lost during online lessons. It helps to get some of it back through the clarity and engagement of annotated sheet music.

Selecting AirPlay as a screen sharing option.

Selecting AirPlay as a screen sharing option.

AirPlaying annotated sheet music to the Zoom call using the iPad Pro and forScore app.

AirPlaying annotated sheet music to the Zoom call using the iPad Pro and forScore app.

As much as I love this, I still think Zoom is pretty student hostile, particularly with the audio settings. Computers already try to normalize audio by taking extreme louds and compressing them. Given that my private lessons are on percussion instruments, this is very bad. Zoom is the worst at it of all the video apps I have used. To make it better, you have to turn on an option in the audio settings called “Use Original Audio” so that the host hears the student’s raw sound, not Zoom’s attempt to even it out. Some of my students report that they have to re-choose this option in the “Meeting Settings” of each new Zoom call.

If this experiment turns out to be worth it for the sheet music streaming, I will deal with it. But this is one of the reasons why I have been using simple apps like FaceTime up until this point.

My Zoom audio settings.

My Zoom audio settings.

My Zoom advanced audio settings.

My Zoom advanced audio settings.

Sending App Audio Directly to the Call

I have been experimenting with a few apps by Rogue Amoeba that give me more control over how audio is flowing throughout my hardware and software.

Last Spring, I would often play my public school students YouTube videos, concert band recordings from Apple Music, and warm-up play-alongs that were embedded in Keynote slides. I was achieving this by having the sound of these sources come out of my computer speakers and right back into the microphone of my laptop. It actually works. But not for everyone. And not well.

Loopback is an app by Rogue Amoeba that allows you to combine the audio input and output of your various microphones, speakers, and apps, into new single audio devices that can be recognized by the system. I wrote about it here. My current set up includes a new audio device I created with Loopback which combines my audio interface and a bunch of frequently used audio apps into one. The resulting device is called Interface+Apps. If I select it as the input in my computer’s sound settings, then my students hear those apps and any microphone plugged into my audio interface directly. The audio quality of my apps is therefore more pure and direct, and there is no risk of getting an echo or feedback effect from my microphone picking up my computer speaker’s sound.

A Loopback device I created which combines the audio output of many apps with my audio interface into a new, compound device called “Interface+Apps.”

A Loopback device I created which combines the audio output of many apps with my audio interface into a new, compound device called “Interface+Apps.”

I can select this compound device from my Mac’s Sound settings.

I can select this compound device from my Mac’s Sound settings.

Now I can do the following with a much higher level of quality...

  • Run a play-along band track and have a private student drum along
  • Play examples of professional bands for my band class on YouTube
  • Run Keynote slides that contain beats, tuning drones, and other play-along/reference tracks
  • and...

Logic Pro X

Logic Pro X is one of my apps routing through to the call via Loopback. I have a MIDI keyboard plugged into my audio interface and a Roland Octopad electronic drum pad that is plugged in as an audio source (though it can be used as a MIDI source too).

The sounds on the Roland Octopad are pretty authentic. I have hi-hat and bass drum foot pedal triggers so I can play it naturally. So in Logic, I start with an audio track that is monitoring the Octopad, and a software instrument track that is set to a piano (or marimba or xylophone, whatever is relevant). This way, I can model drum set or mallet parts for students quickly without leaving my desk. The audio I produce in Logic is routed through Loopback directly into the call. My students say the drum set, in particular, sounds way better in some instances than the quality of real instruments over internet-connected calls. Isn’t that something...

Multiple Camera Angles

Obviously, there is a reason I have previously recommended a set up as simple as a smartphone and a tripod stand. Smartphones are very portable and convenient. And simple smartphone apps like FaceTime and Google Duo make a lot of good default choices about how to handle audio without the fiddly settings some of the more established “voice conference” platforms are known for.

Furthermore, I can’t pick up my desk and move it to my timpani or marimba if I need to model something. So I have begun experimenting with multiple camera angles. I bought a webcam back in March (it finally just shipped). I can use this as a secondary camera to my laptop’s camera (Command+Shift+N in Zoom to change cameras).

Alternatively, I can share my iPhone screen via AirPlay and turn on the camera app. Now I can get up from my desk and go wherever I need to. The student sees me wherever I go. This option is sometimes laggy.

Alternatively, I can log in to the call separately on the iPhone and Mac. This way, there are two instances of me, and if I need to, I can mute the studio desk microphone, and use the phone microphone so that students can hear me wherever I go. I like this option the best because it has the added benefit of showing me what meeting participants see in Zoom.

Logging in to the Zoom call on the Mac and iPhone gives me two different camera angles.

Logging in to the Zoom call on the Mac and iPhone gives me two different camera angles.

SoundSource

This process works well once it is set up. But it does take some fiddling around with audio ins and outs to get it right. SoundSource is another app by Rogue Amoeba that takes some of the fiddly-ness out of the equation. It replaces the sound options in your Mac’s menubar, offering your more control and more ease at the same time.

This app is seriously great.

This app is seriously great.

This app saved me from digging into the audio settings of my computer numerous times. In addition to putting audio device selection at a more surface level, it also lets you control the individual volume level of each app, apply audio effects to your apps, and more. One thing I do with it regularly is turn down the volume of just the Zoom app when my students play xylophone.

Rogue Amoeba's apps will cost you, but they are worth it for those who want more audio control on the Mac. Make sure you take advantage of their educator discount.

EDIT: My teaching set up now includes the use of OBS and an Elago Stream Deck. Read more here.

Conclusion

I went a little overboard here. If this is overwhelming to you, don't get the idea that you need to do it all. Anyone of these tweaks will advance your setup and teaching.

This post is not specific about the hardware I use. If you care about the brands and models of my gear, check out My Favorite Technology to read more about the specific audio equipment in my setup.

Panel Discussion: "Teaching Music Online During the Pandemic" this Wednesday, August 5, 2020

I am taking part in a Panel Discussion called "Teaching Music Online During the Pandemic" this Wednesday, August 5th. It is taking place on the Music Teachers Facebook Group at 8 pm through Zoom.

I will specifically be contributing ideas about practical instruction for performing ensembles. I am planning to discuss everything from large group rehearsal to break-out chamber ensembles, to music scanning apps, and software for assessing student performance.

Some great minds are involved. Here is a description of the panel from the Facebook Event:

Join us for a free online panel discussion with several of your Music Teacher Administrators and Moderators and special guests as we discuss the tools, techniques, and resources to move your music ensembles and music classrooms totally online or to a blended learning hybrid. Panelists include Jim Frankel, CEO of Music First; Katie Wardrobe, Director, Midnight Music Technology Training; Ron Kearns, retired HS band teacher; Tom West Blended Learning Instrumental Music teacher; Robby Burns, MS band teacher; Richard McCready, HS guitar teacher & music ministry; Tiffany Walker, MS band teacher; Krystal Williams, HS band teacher.

If you are interested, you can join the group here. Note: You will not be admitted into the group if you do not answer the questions.

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