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➡️ Develop Performance Skills With Cloud Software

*The following post first appeared on the NAfME Blog on April 19th, 2021.

Over the past year of remote and hybrid instruction, teachers have reimagined the tools, assignments, and methods that best engage their students. The need to engage my band students from a distance has challenged me to depend on cloud-based tools that still foster the development of their performance skills. The features of these cloud tools allow me to engage students in new ways by introducing interactive projects, collaboration with peers, and automated grading.

The ideas below will be featured in my presentation at the NAfME Eastern Division Conference this weekend. Register here to join me and the many exceptional presenters who will be sharing their ideas.

What is Cloud Software

Cloud software is a buzzword in the technology industry that is used to describe apps that run in a web browser. Examples of cloud-based music software include BandLab, Soundtrap, Noteflight, MusicFirst, and Flat for Education, to name a few. Because these offerings are web-based, they can run on nearly any computer with a web browser, as long as you have an internet connection. For this reason, they are more widely accessible to all students and can be integrated into an LMS (learning management software) like Canvas, Blackboard, and Google Classroom.

Here are some practical ideas for assignments in a performing ensemble using cloud software.

Noteflight

Noteflight is a music notation tool that runs on the web. In recent years, Noteflight has expanded to offer Noteflight Learn, which allows teachers to take Noteflight content and assign it to students in their class, much like an LMS. In the past year, Noteflight has added a feature called SoundCheck which can take these assigned Noteflight scores, and assess student performance for note/rhythm/pitch accuracy.

The line beneath the staff represents the pitch and note accuracy of the performance.

Students can play these scores, practice to them at any speed, and loop tricky sections. When they are done recording themselves, Noteflight provides an accuracy score and a line beneath the notes which indicates pitch and note inaccuracies by the counter and color of the line.

Changing the tempo in SoundCheck

You can make any Noteflight score into a Soundcheck-enabled assignment. If the score is linked to an assignment in your LMS, the student score will automatically go into your grade book. Because computers are not perfect, I prefer to go back and listen to my students who don't receive good scores on assignments, to make sure I agree with the automatic grade.

Generally, is better at assessing note accuracy than pitch, so I tend to use SoundCheck as a first step to ensuring students are prepared for their music. Finer qualities in the music like tone and articulation are best left to video assessments with more comprehensive rubrics.

Getting Existing Music Into Soundcheck

If you have music that outside of Noteflight that you want to turn into an assessment, some apps can help. I use an app called Sheet Music Scanner on my iPad to take pictures of paper sheet music and turn them into XML files. XML is a file format that can pass notation projects from one notation editor to another. Once the XML version is saved to my device, I can import it into Noteflight and then assign it to my students.

Notation editors like Sibelius and Dorico can export to XML. If you have already created a score in a professional editor, it is easy to turn into an assignment.

Sheet Music Scanner can take sheet music and turn it into an XML or audio file.

Sheet Music Scanner files can be played back, tempo adjusted, and exported to a variety of useful file formats.

Flipgrid

If your LMS does not have a video recording feature built-in, you might want to check out Flipgrid. My LMS has a video feature, and I still use Flipgrid because it makes video recording whimsical and fun. The Flipgrid interface puts an active circle around your face when you have submitted a recent video (like an Instagram story). Students can add filters, emoji, text, and other effects to their final videos. Students can watch each other's videos, and leave video responses. It is like a mini social network for your class, with lots of control over the privacy settings.

Flipgrid also integrates into LMS software, so you can use it as an alternative to the basic video recorder if you wish.

Flipgrid videos can feature engaging effects, emoji, and filters. Student submissions appear with a colorful ring around their face like an Instagram story.

Soundtrap

Soundtrap is a web-based DAW (digital audio workstation). I have heard it described as "if Google Docs and GarageBand had a baby." This is because it looks and functions like GarageBand, but runs on the web. Like Google's apps, it is also collaborative. This means that you can have two or more students editing the same project at the same time while discussing their progress in a chat.

Soundtrap is great for producing beats, songwriting, and all of the things you would expect to do with access to limitless software instruments, samples, and pre-made loops. But what I use it for in the band room is to teach chamber music.

If I have a flute trio, for example, I can provide the music to my students and then invite them all to a Soundtrap project. Each student can create their audio track and record their part to the metronome. They can all be doing this simultaneously. Once they click save, they can play it back and hear what they sound like alongside one another in a somewhat real-time experience.

This template provides students with a play-along track, and a separate track for each part. The pre-recorded tracks were performed by a high schooler to model notes/rhythms/tone for my students. The reference tracks can be independently toggled on and off. Before saving, my students toggle everything off except their own performances.

A fun alternative to this is to give a small ensemble piece to a single student and have them overdub themselves playing each part. This can help them to better understand how the varying parts fit together and complement one another. In cases like this, I have reached out to the local high school and asked for student volunteers to play all of the parts to a metronome. I then take all of the high schooler's recordings and add them as tracks in a Soundtrap template so that my students can toggle each part on and off for reference while they are recording.

You can see an example of this around the 20-minute mark in the video below.

Conclusion

These cloud-based assignments empower all students to participate in engaged music-making, alone and in groups. Nailing down the accuracy with a metronome will do wonders for their sense of timing and internal pulse. With recording assignments in Noteflight and Soundtrap, my students will do numerous takes until they get it just right! I cannot speak highly enough of these tools, and I certainly plan to use the assignment ideas above even when we return to a fully in-person learning environment.

If a video of this process is more your speed, you can watch how some of it works below. I also have a podcast version of this post available here.

🎙Music Ed Tech Talk Episode #29 - Develop Performance Skills with Cloud Software

🎬 Develop Performance Skills Remotely with Cloud Software

I have been meaning to write about "what I have been doing for online learning" since the fall.

This has proven difficult for many reasons, mostly that there is a lot I have been doing and it is all interconnected.

Generally, my planning and technology use has fallen into two categories.

  1. Tech that supports synchronous classes (via Zoom/Google Meet/etc.)

  2. Tech that supports the asynchronous work (via LMS, cloud-based and student-facing software, etc.)

Fortunately, I was invited to present at two music conferences this year, MMEA and TMEA, and each of my accepted sessions has serendipitously aligned with each of those areas.

This presentation in the video above is an overview of the asynchronous part. In other words, how I am keeping my virtual instruction focused on playing instruments solo, through student-facing tools like Noteflight, Soundtrap, Flipgrid, and a handful of iOS utility apps.

These strategies were developed while I was teaching virtually but they can just as easily be used in a hybrid or in-person teaching model. I would argue that they are just as valuable in either of those environments.

This presentation was first given at TMEA on Saturday, February 14th, 2021.

You can view the notes to this session here.

Develop Performance Skills Remotely with Cloud Software (Session Notes) - TMEA 2021 | Saturday, February 13

Are you coming to my TMEA session, Develop Performance Skills Remotely with Cloud Software today? It starts at 3 pm! Here are the session notes which include links to all of the software mentioned in the presentation.

About Robby Burns

Website - robbyburns.com

Blog - Music Ed Tech Talk (musicedtechtalk.com)

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Buy my book - Digital Organization Tips for Music Teachers

Buy my Scale Play Along Tracks

Let's Connect.001.jpeg

Apple Silicon, Macs in Education, and App-Centric Learning

Apple Silicon Macs are likely going to be announced at their upcoming event this Tuesday, November 10th.

Bradley Chambers is incredibly knowledgeable about Apple's relationship with education and he makes some great points in the post below about how this transition could influence the Mac in education.

Making the Grade: What will Apple Silicon mean for Apple's education strategy? - 9to5Mac:

I believe that Apple will have untold flexibility in what kind of laptops they can produce for schools now. Is it possible to build an 11″ MacBook based on Apple Silicon that is $799 when purchased in bulk but still runs extremely fast? I believe so. It might not be in the first year or two of Apple Silicon’s lifespan that we see it, but in a few years, it’s certainly possible that Apple will have reduced the cost on the A14 to put it in a K–12 focused laptop in the future.

I could be way off base on my predictions. Still, I believe that Apple Silicon will unlock a lot of potential in K–12 to produce lower-cost laptops that will run circles around much higher priced laptops running Intel chips. I’d love to see an 11″ Apple Silicon laptop aimed directly at students that could be used for many years.

I really do hope that Apple tries to be creative with the Mac in education again. Still, I fear that anything they do is too little, too late. Apple has has not been aggressive in education. They tend to make huge leaps in certain areas of their business and then let them settle for a long time, sometimes years. This approach works for developing consumer software like note-taking apps, but it is not aggressive enough to compete with Chromebooks and cloud-based education software. I think back to Apple’s education event a few years back where they positioned the iPad as their future in schools and released a bunch of APIs that iOS app developers could use to link into their Classroom app. Years later, what has come of any of that? If you are using iPads in education, and you use Apple Classroom in combination with third party apps, I would love to hear from you!

Chromebooks and web apps have taken off. And a lot of these web apps can talk to each other. For example, third parties like Flipgrid and Noteflight can integrate with LMS software like Blackboard and Canvas. But these connections are often full of frustrating bugs. On top of this, the quality of a lot of this software in ed tech is already so poor. I wouldn't exactly call it a race to the bottom, because most developers are doing their best with the resources they have, but I like to dream about an alternate reality where Apple's vision for an "app-centric" model were the norm instead of the "web-centric" model we have now.

Of course, web software is cheaper and cross-platform. So it makes sense that it has caught on for being most equitable. But in a world where Apple had kept their prices more competitive, maybe school districts would have been more willing to buy students 1:1 Apple products, especially when schools jumped online in March.

🎙 METT Episode #15 - Double the Burns, Double the Fun!... with Amy Burns

Elementary music educator, Amy Burns, joins the show! We talk about Seesaw, using tech in the elementary general music classroom, and her new book: Using Technology with Elementary Music Approaches!!!

Show Notes:

Stuff Amy is doing:

App of the Week:
Robby - SoundSource by Rogue Amoeba
Amy - Tripple Feature! - Timestamp Camera | MixCam app | Focos

Album of the Week:
Robby - Clear Line | Jacob Garchik
Amy - In the Heights | Lin-Manuel Miranda

Where to Find Us:
Robby - Twitter | Blog | Book
Amy - Twitter | Website

Please don't forget to rate the show and share it with others!

Subscribe to Music Ed Tech Talk:

Subscribe to the Blog

Subscribe to the Podcast in...
Apple Podcasts | Overcast | Castro | Spotify | RSS

🎙 #14 - Empowering Performing Ensembles at a Distance, with Theresa Hoover Ducassoux

Theresa Hoover Ducassoux joins the show to talk about technology for teaching band at a distance, productivity methodologies, Google apps for personal and school use, Flipgrid, empowering students, and more...

Other topics:

  • Personal productivity systems and apps
  • The Getting Things Done Methodology
  • Teaching band online
  • Being creative with whatever teaching scenario and schedule your district is moving forward with this fall
  • Engaging students with musical performance using the Flipgrid video service
  • Google apps for personal productivity
  • Google apps for classroom teaching
  • Organizing files in Google Drive
  • Automating band warm ups
  • Chamber music breakout groups using Google Meet and Soundtrap
  • Getting Google Certified
  • Her book- Pass the Baton: Empowering All Music Students
  • Our favorite album and apps of the week

Show Notes:

App of the Week:
Robby - Loopback by Rogue Ameoba (They have educator discounts)
Theresa - Flat for Docs

Album of the Week:
Robby - Jennifer Higdon Harp Concerto
Theresa - Dustin O’Halloran, piano solos

Where to Find Us:
Robby - Twitter | Blog | Book
Theresa - Twitter | Website - MusicalTheresa.com | Book - Pass the Baton: Empowering All Music Students | Blog - Off the Beaten Path

Please don't forget to rate the show and share it with others!

Subscribe to Music Ed Tech Talk:

Subscribe to the Blog

Subscribe to the Podcast in... Apple Podcasts | Overcast | Castro | Spotify | RSS

Routing Audio from Your Apps Directly Into Your Zoom Call (Or Other Voice Chat App) with Loopback

UPDATE: Learn more about Loopback from my interview with CEO Paul Kafasis on my podcast. Listen and subscribe below…

Loopback is an app that creates custom audio ins and outs for the Mac using the audio of other apps.

Loopback is an app that creates custom audio ins and outs for the Mac using the audio of other apps.

Have you been teaching a class in Google Meet or Zoom and wanted to play a song from iTunes for your digital classroom? Or perhaps a YouTube video or any other application with audio?

Sure, you can play it right on your computer and let the audio from your speakers go straight back into the microphone input of your computer. This works ok in my opinion. But it isn't going to produce a pure representation of the audio I am trying to send. And in some cases, it creates issues with echo, delay, or a nasty feedback loop.

So what do you do? Rogue Amoeba makes excellent Mac apps that, for lack of better explanation, hack into the audio system of your Mac. I have written about Audio Hijack here before, their app that allows you to record audio from other applications (and that's just the start of all the powerful things it can do). Rogue Amoeba also makes an excellent utility called Loopback.

What does Loopback do? Think about your computer's audio settings. You have an Input and an Output. The Input is, by default, your computer microphone, and the Output is the speakers. If you connect an audio interface that has higher quality microphone and speakers plugged in, you would need to set the Input and Output to that interface to get the input and out put the be the microphone and speakers, respectively.

Usually my computer microphone is a Device that can be set to the computer’s Input. In the scenario above, Loopback has allowed me to combine the audio from my microphone and the Music app into a new audio Device called “Music+Mic” that can be selec…

Usually my computer microphone is a Device that can be set to the computer’s Input. In the scenario above, Loopback has allowed me to combine the audio from my microphone and the Music app into a new audio Device called “Music+Mic” that can be selected as the input of my Mac or any individual app.

Your Inputs and Outputs can be controlled from the Sound settings of your computer. Some audio apps also let you control how, specifically, they behave. For example, I have manually set up GarageBand and Skype to use my audio interface as the Device I use for input so that whether I am recording for my podcast, or simply catching up with a relative, they hear me through the microphone, no matter what Device my Mac’s audio Output is set to in the System Preferences.

Loopback allows you to create Inputs and Outputs that are accessible to your Mac's Sound settings as well as your apps. In the example above, I have created an Input that combines my Mac's microphone (the usual Input) with the output of the Apple Music app, something I might want to use to play a recording example for my students in a Google Meet.

Selecting my new audio Device from the System Preferences.

Selecting my new audio Device from the System Preferences.

Look now as I go to my computer's Sound settings, and I can select this new custom Input to be used across the entire operating system! This way, when I am in a Google Meet, students are hearing both me speaking through the mic and all of the output of the Music app.

Now I can route my band warm up tracks, reference recordings, or any other audio I desire, into my Google Meet classrooms.

Now I can route my band warm up tracks, reference recordings, or any other audio I desire, into my Google Meet classrooms.